Alma Rubens (February 19, 1897 – January 21, 1931) was an American film actress and stage performer.
Rubens began her career in the mid-1910s. She quickly rose to stardom in 1916 after appearing opposite Douglas Fairbanks in The Half-Breed. For the remainder of the decade, she appeared in supporting roles in comedies and dramas. In the 1920s, she developed a drug addiction that eventually ended her career. She died of lobar pneumonia and bronchitis shortly after being arrested for cocaine possession in January 1931.
Some biographies erroneously state that her birth name was Genevieve Driscoll. That name was in fact a pseudonym that she later used in a non-professional capacity, as Genevieve was her middle name and Driscoll was her maternal grandmother's maiden name.
In 1916, Rubens signed with Triangle Film Corporation. Her first film for the company was the comedy-drama Reggie Mixes In, starring Douglas Fairbanks. Later the same year, Rubens was re-teamed with Fairbanks for cocaine comedy The Mystery of the Leaping Fish, The Half-Breed and The Americano. The next year, Rubens co-starred in two westerns, Truthful Tolliver with William S. Hart and The Firefly of Tough Luck with Charles Gunn. In 1918, she announced that she was changing the spelling of her last name from Rueben to "Rubens" because it caused too much confusion in the movie industry and publications. She later told Photoplay magazine, "As a matter of fact, my name is not the same spelling as the painter's. It's either Reubens or Ruebens—I forget which. I never could spell it. Couldn't remember where the 'e' came. So I let it go Rubens."
In 1920, Rubens signed with William Randolph Hearst's Cosmopolitan Productions. The studio promoted Rubens as its newest starlet, falsely claiming she was a descendant of Flemish painter Peter Paul Rubens. Her first film for the studio was Humoresque, which became the studio's only hit that year. Later that year, she starred in dramas The World and His Wife, opposite Montague Love, and Thoughtless Women, both of which further solidified her popularity.
By 1921, Rubens had developed an addiction to heroin after she was prescribed morphine by a doctor for a physical ailment. Due to her drug use and difficult behavior on set, William Randolph Hearst removed her from a film she was set to star in but kept her on the payroll for the next two years. There were rumors that Hearst continued to pay her a salary because the two were involved romantically. Hearst denied this rumor, claiming he continued to pay Rubens because he had invested a substantial amount of money promoting her as the studio's leading lady and that good lead actresses were difficult to find. Rubens returned to the screen in 1922 with roles in Find the Woman and The Valley of Silent Men. Her final film for Cosmopolitan Productions was the historical drama Under the Red Robe in 1923. Hearst released Ruben from her contract the same year.
In 1924, she starred in The Price She Paid for Columbia Pictures Corporation and had a supporting role in the Associated First National production Cytherea. From 1925 to 1926, she worked for Fox Film Corporation. While at Fox, she starred in the hit melodrama East Lynne (1925) opposite Edmund Lowe and Lou Tellegen. She also had roles in The Gilded Butterfly with Bert Lytell and Siberia (both 1926), the latter of which re-teamed Rubens with Edmund Lowe and Lou Tellegen. Her final film for Fox was 1927's Heart of Salome, after which she decided to work freelance.
In February 1929, Rubens' addiction became known publicly when she attempted to stab a physician who was taking her to a sanatorium for treatment. She was ordered to undergo treatment at the Spadra facility shortly thereafter. She later escaped despite being under the watch of four nurses and two male guards. She was then admitted to a sanatorium in Pasadena but left after 10 days. On May 15, 1929, Rubens' husband, Ricardo Cortez, and her mother had Rubens committed to Patton State Hospital for treatment after she resumed her drug habit. Rubens was released from Patton State Hospital in late December 1929.
She made her first public appearance after her release on January 30, 1930, in a role in a play produced at the Writer's Club in Hollywood. Her performance was well-received by the audience, and she received eight curtain calls. After the show, Rubens gave an interview to United Press stating that she was cured of her addiction. During the interview, she described her descent into drug abuse and her experiences at the sanatoriums.
In early February 1930, Rubens traveled to New York, where she announced she was now free of drug addiction and planning a comeback with a vaudeville tour in the East. She made an appearance on stage with her husband, but returned to California the same month. She was there less than two weeks when, on January 5, 1931, she was arrested by Federal officers in San Diego for cocaine possession and conspiracy to smuggle morphine from Mexico into the United States. Rubens claimed she was being framed, and physicians attested to her statements that she was not taking drugs. She was later released on $5,000 bail and appeared for a preliminary hearing the second week of January 1931.
Rubens third and final marriage was to actor Ricardo Cortez, whom she married on January 30, 1926, in Riverside, California. As her divorce from Goodman was not yet finalized, the new marriage was considered invalid. They were remarried on February 8.
While touring the vaudeville circuit in mid-1930, the couple separated. At the time of her death, Rubens was suing Cortez for divorce. Cortez claimed he had not been notified of his wife's death, and later remarked that he had not seen her for several months and was unaware that she was seriously ill.
For her contribution to the motion picture industry, Alma Rubens has a star on the Hollywood Walk of Fame located at 6409 Hollywood Blvd.
| 1914 | Narcotic Spectre | Short film Lost film | |
| The Gangsters and the Girl | Molly | Short film | |
| 1915 | Banzai | Mirami – Daughter of a Samurai | Short film Lost film |
| The Birth of a Nation | Belle of 1861 | Uncredited | |
| The Lorelei Madonna | Alma – the Lorelei Madonna | Short film Credited as Alma Ruben Lost film | |
| Peer Gynt | Bit Role | Uncredited | |
| A Woman's Wiles | Lucile Bergere – a Parisian Model | Credited as Alma Ruben Lost film | |
| 1916 | Reggie Mixes In | Lemona Reighley | |
| The Mystery of the Leaping Fish | Gang Leader's Female Accomplice | Short film Uncredited. | |
| The Half-Breed | Teresa | ||
| Judith of the Cumberlands | Alternative title: The Moonshine Menace Lost film | ||
| Intolerance | Girl at the Marriage Market | Uncredited | |
| The Children Pay | Editha, their stepmother | ||
| The Americano | Juana de Castalar | ||
| 1917 | Truthful Tulliver | Grace Burton | |
| A Woman's Awakening | Cousin Kate | Credited as Alma Rueben Lost film | |
| An Old Fashioned Young Man | Lost film | ||
| Master of His Home | Millicent Drake | Credited as Alma Ruben Lost film | |
| The Cold Deck | Coralie | Incomplete copy exists | |
| The Firefly of Tough Luck | Firefly | Lost film | |
| The Regenerates | Catherine Ten Eyck | Credited as Alma Reuben | |
| The Gown of Destiny | Natalie Drew | ||
| 1918 | I Love You | Felice | Lost film |
| The Answer | Lorraine Van Allen | Lost film | |
| The Love Brokers | Charlotte Carter | Lost film | |
| Madame Sphinx | Celeste | Lost film | |
| The Painted Lily | Mary Fanjoy | Lost film | |
| False Ambition | Judith/Zariska | Lost film | |
| The Ghost Flower | Giulia | Lost film | |
| 1919 | Restless Souls | Marion Gregory | Lost film |
| Diane of the Green Van | Diane Westfall | Lost film | |
| A Man's Country | Kate Carewe | ||
| 1920 | Humoresque | Gina Berg (formerly Minnie Ginsberg) | Survives |
| The World and His Wife | Teodora | Lost film | |
| Thoughtless Women | Annie Marnet | ||
| 1922 | Find the Woman | Sophie Carey | Incomplete film |
| The Valley of Silent Men | Marette Radison | Incomplete film | |
| 1923 | Enemies of Women | Alicia | Incomplete film |
| Under the Red Robe | Renee de Cocheforet | ||
| 1924 | Week End Husbands | Barbara Belden | Lost film |
| The Rejected Woman | Diane Du Prez | ||
| Cytherea | Savina Grove | Lost film | |
| The Price She Paid | Mildred Gower | ||
| Gerald Cranston's Lady | Hermione, Lady Gerald Cranston | Lost film | |
| Is Love Everything? | Virginia Carter | Fragment held at the British Film Institute | |
| 1925 | The Dancers | Maxine | |
| She Wolves | Germaine D'Artois | Lost film | |
| A Woman's Faith | Nerée Caron | ||
| Fine Clothes | Paula | Lost film | |
| The Winding Stair | Marguerite | Lost film | |
| East Lynne | Lady Isabel | ||
| 1926 | The Gilded Butterfly | Linda Haverhill | Lost film |
| Siberia | Sonia Vronsky | Lost film | |
| Marriage License? | Wanda Heriot | ||
| 1927 | One Increasing Purpose | Uncredited | Lost film |
| The Heart of Salome | Helene | Lost film | |
| 1928 | The Masks of the Devil | Countess Zellner | Lost film |
| 1929 | Show Boat | Minnie | |
| She Goes to War | Rosie |
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